Events · Production Design

El fin de los tiempos

A clandestine open party in unique locations. Graffiti, visuals and light installations staged to create alternate realities. Across its editions it drew audiences into surreal, immersive scenes paired with curated music and live shows.

Bogotá · 2016–2017 Production design & set intervention

The Spaces

Each edition took over an abandoned or unconventional venue and reshaped it: hand-painted murals, UV light, chains and found objects turning empty rooms into scenes of murder.

Artist spray-painting a UV mural on the wall during set-up
Window painted with a black monster and jungle motifs, colored lights behind
Tiled room bathed in purple light, barred window crossed with tape, rubble on the floor
Alphabet painted on a wall with fairy lights, Stranger-Things style, figure behind the glass
Dark room lit red, screens on the walls, silhouettes with arms raised
Row of old lockers under blue light, hanging chains, graffiti wall reading 'su madre es así'

The Party

Curated music, live projection and VJ visuals filled the two dancefloors.

Two people laughing in front of a spinning green and magenta spiral projection
Dancer smiling against a black wall with yellow painted motifs
People dancing in front of green striped projections
Two DJs at the decks in a red-lit booth with painted backdrop

Other editions

The party ran in several editions, each taking over a different space with its own concept, among them "Entre Nalgas," a cumbia party, and a hip-hop afternoon with Colombia's own tejo, a "sport" where you throw an iron stone at a clay disc with dynamite packed in the middle. A couple of editions were captured on film.

Entre Nalgas

Hip-hop edition

Credits

Art direction
Arte Kaput (Daniela Ortiz & Mariana Hoyos)
Production
Mariana Hoyos
Sound
Christian Kook & Brishnananda García
Role
Production design & set intervention
Format
Clandestine party & immersive installation
Location
Bogotá · 2016–2017

More team credits to be added.